"For "Chapel Prototype," New York artist Dean Radinovsky took a pair of concrete slabs and held them apart with a waxy glob of gelatinized wood glue. This work was interesting for its use of industrial non-art store material to give off a beautifully smooth but perplexing amber glow while causing the same doubtfulness of what exactly the said material is. These works kept you guessing."
Ron Schira, Reading Eagle, June 10, 2007 (Reading, PA)

"Working in oil, he...unites the natural and the urban world with an abstract vocabulary; branches, wind, earthiness, green, are all suggested by smooth brush strokes, a build-up of paint and smaller, quicker brush strokes in tones of grey for winter, blue for early spring, green for summer and brown for fall....  Random patterns of color and shape create highly individual works of infinite delicacy and emotional range."
Nicolette Ramirez, W: The New York Art World, September 2004

"His oil on linen compositions are shadowy and full of hidden meanings....[they] show an ability to see the spiritual in simple objects, like eggs, clouds and empty skies."
Carla Di Fonzo, Intelligencer Journal, October 4, 2002 (Lancaster, PA)

"...Dean Radinovsky's dark interior view...with soft coloring [is] so convincing you can almost smell that barn smell..."
Susan Lindt, Intelligencer Journal, September 6, 2002

"Radinovsky's use of color is masterful....His work offers tranquility and quiet reflection at a pace that allows the viewer to approach the art on a personal level...."
Laura Knowles, Intelligencer Journal, January 8, 1999